On a whim, I bought a drawing tablet earlier in the week. Not a wacom, but one that actually seems as good, and for less. Shortcut buttons, zoom wheel, and a 15.6 inch screen. All for $150+ cheaper than the 16" wacom, which didn't even have shortcut buttons. It's in transit, though no idea when it'll get here. Still, I'm rather happy about the whole thing. I'm not a huge artist or anything, but I dabble at times, and a decent drawing tablet is rather necessary anymore. Pity I can't easily transfer my sketchbooks into digital, but I'm going to have fun testing out all the various options. I had a period of time where I had a cracked copy of photoshop, and got decent at making user icons, so at least I'll be coming at it with a little history. Heh, I might even occasionally draw along with Drawfee.
I feel accomplished.
Apr. 23rd, 2020 01:06 pmIt took many hours of slow, methodical work, but I managed to to put an entire bookcase together and mostly filled. Dozens of screws, screw-like buttons, and 56 nails later, and I'm fairly proud of my work. A few nails went in slightly wrong from the back and broke the boards a bit, but they are minor and easily covered with books. I haven't fully unpacked my books or comics in over 5 years of being here and it feels lovely to have them out. I've had a large corner of my room taken over by half-opened boxes from whenever I wanted to read this or that, but between the bookcase and computer desk, it's starting to look like a real room.
As I decided I don't want my several year collection of Ultimate Spider-Man comics (I started a subscription at like #7), all my comics fit on a single 3-foot shelf, with room for a few more graphic novels. Said graphics already take up a good foot of the shelf, surprising even myself. Mostly as I tended to use them to firm up the comics in boxes, so I'd only have one or two side by side, book-ending the small ones. I most definitely have an interesting collection of comics overall. A smattering of everything, both DC and Marvel. Graphics I have plenty of Deadpool, some Spider-Man and Hulk, X-Men of various eras, Batman, Superman, a few Batman/Superman, and Green Lantern (Kyle Rayner GL, as I grew up reading comics in the 90s). I'd forgotten how many Iron Man comics I have. I kept that subscription at least as long as the Ultimate X-Men and Ultimate Spider-Man ones, which went for 2-3 years. Iron Man didn't disappoint, unlike the Ultimate line. It was during the whole living armor saga too, so it was pretty epic.
As I decided I don't want my several year collection of Ultimate Spider-Man comics (I started a subscription at like #7), all my comics fit on a single 3-foot shelf, with room for a few more graphic novels. Said graphics already take up a good foot of the shelf, surprising even myself. Mostly as I tended to use them to firm up the comics in boxes, so I'd only have one or two side by side, book-ending the small ones. I most definitely have an interesting collection of comics overall. A smattering of everything, both DC and Marvel. Graphics I have plenty of Deadpool, some Spider-Man and Hulk, X-Men of various eras, Batman, Superman, a few Batman/Superman, and Green Lantern (Kyle Rayner GL, as I grew up reading comics in the 90s). I'd forgotten how many Iron Man comics I have. I kept that subscription at least as long as the Ultimate X-Men and Ultimate Spider-Man ones, which went for 2-3 years. Iron Man didn't disappoint, unlike the Ultimate line. It was during the whole living armor saga too, so it was pretty epic.
Like and dislike
Apr. 20th, 2020 04:45 pmLe sigh. I have mixed feelings about working from home for my job of late. On the one hand, I can actually go to the kitchen and get food whenever I want, as opposed to just not getting a chance to eat during shift. And I can move around, listen to music as loud as I want, and have way fewer people constantly asking me questions. Not to mention I don't have the constant distracting hubbub. However, my laptop only has one screen instead of my normal two, and it slows me down dramatically. Neither can this win 8.1 do multiple desktops as win 10 and linux can, which also makes everything more difficult. But having had the week prior to Easter off due to disciplinary action (two days of ~3 hours sleep each, a long day, and working from my bed, I fell asleep two or three times), I already miss the time off. Particularly as we have a lot of work and not enough people to work remotely, so we who can are working hella long shifts. A job I already very much dislike and find emotionally and mentally draining, and now even longer!
I don't even know how long I'll work on a given day. Maybe 6-7 hours, or maybe they'll have me work 11-12, and I won't have any idea until I'm already in it. I only know what days, but even starting times I don't usually know until mid morning. Ending times are not really guaranteed either, other than we almost never dial past 10pm locally. But will I only have east coast work and get to end my day by 7ish, or will it be west and I may not get done until 10 or 11? Adding insult to injury, after they're done, I then get to write reports! Extra reports with lots of extra work for jobs that went poorly! So the worse it went, and the more you are brain-fried, the more you have to do... Bleck.
In other news, I just finished the FF7 Remake. It's mostly good, though a few negatives keep it from being truly excellent. It fleshes the characters out really well, and I didn't feel it was bad to build more of their backstories and such. The combat is pretty darn fun. It actually makes you use items from time to time. Also nice is that materia doesn't have negative stats like in the original, and your weapons gain points to use toward a kind of sphere grid for each one, letting you improve stats, add more materia slots, etc. Boss fights take forever; not sure if that's a plus or a minus. Due to the nature of the revamped fighting system, the game gives you way more kinds of materia. Some I like, others, meh. But it definitely becomes a constant battle as to which ones to use.
It's interesting how this game is like a parallel universe to the original game. Most things are the same, but certain key events have shifted some. Some I like, some I don't, and some don't make much sense... I am very likely now to go and play the original. So good. Pacing is a little bit of an issue throughout this game though. And I mean actual pacing, like walking. So many, many times the game suddenly decides that now is not a time for running, and forces you to walk at varying speeds, for random-seeming lengths of time. Occasionally it's to make sure the conversations going on don't get cut short, which I understand, but numerous other times for no definitive reason. It becomes more and more noticeable over time, and is incredibly frustrating and breaks immersion frequently. On the plus side, I think the voice acting is incredibly well done. Sometimes a game or some such will add voices, and it's like, that's not how they sounded in my head. But this one was done well, and I enjoyed them all. A coworker says that Barret at first sounded like Mr T, on whom he was partly based, but now all he can hear is RDJ from Tropic Thunder, and that's hilarious. I enjoy Aerith especially. Her chipper personality and teasing really makes her more of an interesting person. I still dig Tifa something fierce, even more so now (dem stockings yo). Now I actually care about some of the Avalanche crew, mostly due to enjoying Jessie immensely. Though, what's up with Biggs' voice? It sounds like it was recorded in a hallway or something. Also, Barret's daughter Marlene is the cutest child ever.
I don't even know how long I'll work on a given day. Maybe 6-7 hours, or maybe they'll have me work 11-12, and I won't have any idea until I'm already in it. I only know what days, but even starting times I don't usually know until mid morning. Ending times are not really guaranteed either, other than we almost never dial past 10pm locally. But will I only have east coast work and get to end my day by 7ish, or will it be west and I may not get done until 10 or 11? Adding insult to injury, after they're done, I then get to write reports! Extra reports with lots of extra work for jobs that went poorly! So the worse it went, and the more you are brain-fried, the more you have to do... Bleck.
In other news, I just finished the FF7 Remake. It's mostly good, though a few negatives keep it from being truly excellent. It fleshes the characters out really well, and I didn't feel it was bad to build more of their backstories and such. The combat is pretty darn fun. It actually makes you use items from time to time. Also nice is that materia doesn't have negative stats like in the original, and your weapons gain points to use toward a kind of sphere grid for each one, letting you improve stats, add more materia slots, etc. Boss fights take forever; not sure if that's a plus or a minus. Due to the nature of the revamped fighting system, the game gives you way more kinds of materia. Some I like, others, meh. But it definitely becomes a constant battle as to which ones to use.
It's interesting how this game is like a parallel universe to the original game. Most things are the same, but certain key events have shifted some. Some I like, some I don't, and some don't make much sense... I am very likely now to go and play the original. So good. Pacing is a little bit of an issue throughout this game though. And I mean actual pacing, like walking. So many, many times the game suddenly decides that now is not a time for running, and forces you to walk at varying speeds, for random-seeming lengths of time. Occasionally it's to make sure the conversations going on don't get cut short, which I understand, but numerous other times for no definitive reason. It becomes more and more noticeable over time, and is incredibly frustrating and breaks immersion frequently. On the plus side, I think the voice acting is incredibly well done. Sometimes a game or some such will add voices, and it's like, that's not how they sounded in my head. But this one was done well, and I enjoyed them all. A coworker says that Barret at first sounded like Mr T, on whom he was partly based, but now all he can hear is RDJ from Tropic Thunder, and that's hilarious. I enjoy Aerith especially. Her chipper personality and teasing really makes her more of an interesting person. I still dig Tifa something fierce, even more so now (dem stockings yo). Now I actually care about some of the Avalanche crew, mostly due to enjoying Jessie immensely. Though, what's up with Biggs' voice? It sounds like it was recorded in a hallway or something. Also, Barret's daughter Marlene is the cutest child ever.
It's a bit sad how little my normal schedule hasn't really changed with the stay at home ordinances. On the one hand, I don't have to sit at a desk surrounded by people constantly distracting me with questions and problems, but on the other, I do get lonely. I have several housemates, but we all have such different schedules even still that I'm really not getting the people connection I need. I can only imagine how stir crazy major extroverts are getting, as they tend to need much human interaction to recharge their batteries.
Been a while. Been doing most of my writing and musings on paper with my fountain pen as I practice my calligraphy/cursive. I am getting slowly better, which is nice. I'm still experimenting with various ways of doing my capital letters, as it's the one part that really allows for a lot of creativity and flourishes. I don't want them over the top, but definitely want a little bit my own. I still only use the smallest nib that it came with. One of these days I'll have to practice the bigger ones, but for the time being I'm having fun enough with the small. I've always preferred smaller tips to my writing implements anyway. .05 lead for mechanical pencils or nothing!
I'm also continuing to practice my guitar, albeit not as frequently as I was for the first week. I'm still practicing Hotel California and John Mayer's Daughters. I still much struggle with proper strumming rhythm, or lack thereof, though Mayer's song is hella crazy for chords too. It uses the pinky, held constantly on one string while the other fingers move around. The pinky is not often used, particularly for an entire song, so that's causing most of my difficulties.
Been playing a number of different games as well. Played Control for PS4 for a while, and am almost at the end, but like the final main battle has frustrated me enough that I will retry it a few times a week, then move on when I can't beat the very long battles. Meanwhile, returned to playing Fire Emblem 3 Houses on my Switch, and Spider-man on my PS4. Both still hold up well.
I'm also continuing to practice my guitar, albeit not as frequently as I was for the first week. I'm still practicing Hotel California and John Mayer's Daughters. I still much struggle with proper strumming rhythm, or lack thereof, though Mayer's song is hella crazy for chords too. It uses the pinky, held constantly on one string while the other fingers move around. The pinky is not often used, particularly for an entire song, so that's causing most of my difficulties.
Been playing a number of different games as well. Played Control for PS4 for a while, and am almost at the end, but like the final main battle has frustrated me enough that I will retry it a few times a week, then move on when I can't beat the very long battles. Meanwhile, returned to playing Fire Emblem 3 Houses on my Switch, and Spider-man on my PS4. Both still hold up well.
(no subject)
Jan. 14th, 2020 03:31 amEver since I picked up a fountain pen, I find I've been getting a lot of my writing needs met via said pen. I have a bunch of computer paper that I go ham on. I intermittently write whatever random words come to mind, often alliterative or assonant. I also write random thoughts, journal, and write old-timey fake letters. All on the same page, depending on how the mood hits me. Mostly it's just practice, but I am definitely enjoying myself, and my cursive is improving quite a bit. The letters are often my favorite part, though. I pretend to be someone from like the 1800s or some such, and write the most bizarre situations. I wrote one to Sarah Lee, entailing how well her confectionery was doing, even the rat-based ones. I made reference to her new line inspired by the genius of Jonathan Swift and his Modest Proposal (look it up if you don't know it, it's great). Anyway, having much fun.
Paradoxical parody
Dec. 26th, 2019 03:49 amI watched the Witcher on Netflix last week, and the thing that really stuck with me was that really great song Toss A Coin To The Witcher. Man, that thing is just fantastic. Makes me not only want to listen to it on repeat, but to write something similar.
It got me thinking, though. Specifically, I thought about the sorry state in which culture has become which makes parody more and more difficult. The thing about parody is to point out how something is ridiculous or overblown, often by taking it to an extreme. But how do you do that when things are already taken to an extreme and seriously? Often I'll hear some love song or what have you on the radio and want to take it to some ludicrous end, except I always realize that such songs have been made. Can anyone think of anything more horrid or extreme than some of the shit you can hear in rap and hip hop? You can't take it any further than they already have, and they didn't do it as a joke. A perfect example was when Weird Al tried to parody Lady Gaga, the woman who wore a dress made of meat. The song changed born this way, to worn this way, and it really didn't have to make anything up, because she'd already worn everything ridiculous.
The irony, or perhaps paradox, is that to parody things, anymore it can be more impactful to downplay things. Turn some song about being the greatest to one about being just alright, or pretty average. How odd.
It got me thinking, though. Specifically, I thought about the sorry state in which culture has become which makes parody more and more difficult. The thing about parody is to point out how something is ridiculous or overblown, often by taking it to an extreme. But how do you do that when things are already taken to an extreme and seriously? Often I'll hear some love song or what have you on the radio and want to take it to some ludicrous end, except I always realize that such songs have been made. Can anyone think of anything more horrid or extreme than some of the shit you can hear in rap and hip hop? You can't take it any further than they already have, and they didn't do it as a joke. A perfect example was when Weird Al tried to parody Lady Gaga, the woman who wore a dress made of meat. The song changed born this way, to worn this way, and it really didn't have to make anything up, because she'd already worn everything ridiculous.
The irony, or perhaps paradox, is that to parody things, anymore it can be more impactful to downplay things. Turn some song about being the greatest to one about being just alright, or pretty average. How odd.
I have been absolutely swamped at work this past month. I've been pulling overtime nearly every single day (California does overtime anytime you go over 8 hours in a day, and then resets if you go past 40, wiping out a whole lot of money if you only work a little over 40). Normally this time of year is completely dead and we all have to use our accrued vacation time due to weeks of little-to-no work. Several of us were actually looking forward to it. We're all running a bit ragged and could use the respite of several uneventful weeks. But no, not this year. This year we're slammed right up to Christmas week, and then we come back right after new years. Honestly, at this point, I'd rather have barely any money than more of this damned job. It gets worse and worse, ever more ethically questionable, and with less and less to show for my efforts.
I read an article recently about how only a few decades back, surveys had like an 70-80% contact rate, and a similar rate of completions from that number. When I started doing what I do, we often hovered around 15% contact. Below that was bad, above was decent. Now, we often end up in the mid to low single digits for contact. By contact, we mean someone answering the phone who is either the name listed, or is willing to take it. And then you have to screen out that meager amount with scads of demographic questions. It's an ever more difficult job, made worse by a number of phone companies incorrectly labeling our number as a likely scam. Our polls are often heavily biased and written by a retarded monkey of dubious grammatical training, but not scams. But people are way less likely to pick up the phone when we show up as a potential scam.
Worse, even with overtime, after working at my job for more than 3 years now, and being one of the more seasoned supervisors, I still make less than the starting wage for the likes of In 'n Out and Best Buy. Due to California labor laws, our branch is consistently the costliest to run. We'd have been shut down ages ago if we weren't the best. But I, along with several of the other top people of the place, rather wish it would. This job is soul crushing, and worse, takes so much time and energy that none of us have anything left at the end of the day to look for anything else. Our assistant director didn't used to drink until he started his position. Now he drinks heavily. Smokes like a chimney. I hate the place so much.
There's a slight bit of despair that lingers over us. We all desperately want to get the hell out, but have neither the money nor the opportunity to do so. The job market in this town is garbage. There are three kinds of jobs that have openings, and that's it: nursing, fast food, and retail. Granted, at this point I'm starting to think maybe working In 'n Out would be less stressful and pay better.
I read an article recently about how only a few decades back, surveys had like an 70-80% contact rate, and a similar rate of completions from that number. When I started doing what I do, we often hovered around 15% contact. Below that was bad, above was decent. Now, we often end up in the mid to low single digits for contact. By contact, we mean someone answering the phone who is either the name listed, or is willing to take it. And then you have to screen out that meager amount with scads of demographic questions. It's an ever more difficult job, made worse by a number of phone companies incorrectly labeling our number as a likely scam. Our polls are often heavily biased and written by a retarded monkey of dubious grammatical training, but not scams. But people are way less likely to pick up the phone when we show up as a potential scam.
Worse, even with overtime, after working at my job for more than 3 years now, and being one of the more seasoned supervisors, I still make less than the starting wage for the likes of In 'n Out and Best Buy. Due to California labor laws, our branch is consistently the costliest to run. We'd have been shut down ages ago if we weren't the best. But I, along with several of the other top people of the place, rather wish it would. This job is soul crushing, and worse, takes so much time and energy that none of us have anything left at the end of the day to look for anything else. Our assistant director didn't used to drink until he started his position. Now he drinks heavily. Smokes like a chimney. I hate the place so much.
There's a slight bit of despair that lingers over us. We all desperately want to get the hell out, but have neither the money nor the opportunity to do so. The job market in this town is garbage. There are three kinds of jobs that have openings, and that's it: nursing, fast food, and retail. Granted, at this point I'm starting to think maybe working In 'n Out would be less stressful and pay better.
(no subject)
Nov. 12th, 2019 01:36 amI feel like a broken record. I just keep skipping. I hate my job so much, but it leaves me so emotionally drained that I can never work up the energy to find something else. I don't even get two days off in a row. I get two days off, but not together, and while I used to enjoy the short reprieve in the middle of the week, now I find that it's just barely keeping me going without really giving me the break I need to recharge the batteries. Days like today, I feel like when you're running down a hill, and you're trying very hard not to eat it, but every movement is about catching up. It certainly does not help matters any that the job market in this town is notoriously poor. Unless you want to work retail or restaurant, there's not really much available. And as much as I would hate it, those options are starting to look more appealing than this position. I have worked here for three years, am a supervisor of sorts, and I make 25 cents less than my buddy who just started work at Best Buy. Do you know how demoralizing that is?
What's worse, my attention to detail is slipping somewhat at the work I do because I beyond don't care. I hate everything about my company. One of my fellow supervisors didn't used to drink until he became the second in command, and now he drinks rather heavily. We do surveys! It should not destroy people and should not be as stressful as it is. I have just enough energy to get angry, but not enough to act on it, and I just don't know what to do. I'm feeling a touch of despair this evening, I think. This too shall pass, as they say, but it still sucks now. My singular days off are almost entirely dedicated to sleep and trying to de-stress. My every work day is so unregimented that I can never schedule anything. On a given day, maybe I'll work 4-5 hours, or maybe I'll work 10, usually without a chance of taking an actual (legally mandated) lunch, getting off at 11pm and completely wiped and unable to go do anything at all.
I hate it, I hate it, I really, really hate it. And I don't know how to fix it. The job is so all over the place that I don't ever have any sort of savings. Grumble.
What's worse, my attention to detail is slipping somewhat at the work I do because I beyond don't care. I hate everything about my company. One of my fellow supervisors didn't used to drink until he became the second in command, and now he drinks rather heavily. We do surveys! It should not destroy people and should not be as stressful as it is. I have just enough energy to get angry, but not enough to act on it, and I just don't know what to do. I'm feeling a touch of despair this evening, I think. This too shall pass, as they say, but it still sucks now. My singular days off are almost entirely dedicated to sleep and trying to de-stress. My every work day is so unregimented that I can never schedule anything. On a given day, maybe I'll work 4-5 hours, or maybe I'll work 10, usually without a chance of taking an actual (legally mandated) lunch, getting off at 11pm and completely wiped and unable to go do anything at all.
I hate it, I hate it, I really, really hate it. And I don't know how to fix it. The job is so all over the place that I don't ever have any sort of savings. Grumble.
(no subject)
Nov. 1st, 2019 01:50 amI was randomly reading up on the show The Prisoner from back in the 60s, and the open-ended nature of the ending got me to thinking. It made me realize how much more impactful leaving a story open can be. In a sense, it's the catharsis at the end that also lets us down. We both crave for things to be wrapped up, but also crave mystery and the unknown. One of my favorite authors once noted in a book of short stories that in every scary story, it's the dread that's the worse. Jump scares are momentary, but it's when we finally get to see the killer/creature/thing that we are finally relieved. Up until the reveal, it's our own imagination and the gaping unknown that we face. No matter how scary the thing, once we witness it, we are able to acclimate to it.
A few of my favorite movie endings have all been the ones that leave questions. True, some of the most frustrating endings do likewise. Again, that is the dichotomy, or perhaps oxymoron. We both love and hate open ends. More than that, though, is that it allows us to be creative. Think about it; so many of the best fan stories (some of which even become cannon at times) come from those openings. I recall the fic scene during its early years, which in my case centered around the shows Roswell and Smallville, and later some Buffy/Angel. Throughout it all, it was the in-between times that the stories best flourished. Between episodes and between seasons were absolutely the most fertile times, and I am fairly certain it was due to all the loose ends and unanswered questions that spurred many of us to fill in the spaces. Mid-season breaks were often quite fun, as they had those mini-cliffhangers and gave us a few weeks off to stew in all the crazy things they left us with.
Dollars to donuts, fanfic has dwindled a fair amount as binge-watching has increased. It is easy to become immersed in a show, but binging also takes away the chance to really mull over all the little details and fret while waiting for the next episode or season to clear things up. I notice in myself that the better written and cohesive a show is, particularly if it has several seasons under its belt, the harder it is to write stories in that world. Specifically, it's hard to make events go a different way once they're set. There was something about being halfway through a season and thinking of all the ways things could go next. Somewhat of an aside, but not entirely, I think the swiftness of moving immediately from one episode to the next lessens the impact of any one episode. Instead of having to stew, asking the what-ifs, and what-nexts, we just hop to the next one. I noticed it once after rewatching a series on DVD with my mom after having watched it slowly over the years. Some of the more moving and epic moments left much less of an impact as we simply moved on to the next and saw the resolutions immediately.
Returning to my initial train of thought, with the Prisoner, even decades later, just reading about how it ended spurs numerous ideas for potential stories. I wonder how much of the best sci-fi stories leave things open. One of the most memorable movies of my life I experienced as child whilst on a sleepover. It was a cheesy black and white space film about astronauts that go to Mars, a creature crawls aboard, and subsequently picks the crew off one by one. Standard horror trope. Here's the thing: being made so far back, they didn't really have the funds or ability to make the monster, so they didn't. The most they ever showed, as far as I remember, was a bit of a tentacle. All you ever got to experience were the results of the creature. They didn't even show some of the bodies, just described it. To this day, I remember how terrifying it was, never seeing the creature, or even its victims. It resonates to this day, and I guarantee it's because I had only my imagination and the unknown.
A few of my favorite movie endings have all been the ones that leave questions. True, some of the most frustrating endings do likewise. Again, that is the dichotomy, or perhaps oxymoron. We both love and hate open ends. More than that, though, is that it allows us to be creative. Think about it; so many of the best fan stories (some of which even become cannon at times) come from those openings. I recall the fic scene during its early years, which in my case centered around the shows Roswell and Smallville, and later some Buffy/Angel. Throughout it all, it was the in-between times that the stories best flourished. Between episodes and between seasons were absolutely the most fertile times, and I am fairly certain it was due to all the loose ends and unanswered questions that spurred many of us to fill in the spaces. Mid-season breaks were often quite fun, as they had those mini-cliffhangers and gave us a few weeks off to stew in all the crazy things they left us with.
Dollars to donuts, fanfic has dwindled a fair amount as binge-watching has increased. It is easy to become immersed in a show, but binging also takes away the chance to really mull over all the little details and fret while waiting for the next episode or season to clear things up. I notice in myself that the better written and cohesive a show is, particularly if it has several seasons under its belt, the harder it is to write stories in that world. Specifically, it's hard to make events go a different way once they're set. There was something about being halfway through a season and thinking of all the ways things could go next. Somewhat of an aside, but not entirely, I think the swiftness of moving immediately from one episode to the next lessens the impact of any one episode. Instead of having to stew, asking the what-ifs, and what-nexts, we just hop to the next one. I noticed it once after rewatching a series on DVD with my mom after having watched it slowly over the years. Some of the more moving and epic moments left much less of an impact as we simply moved on to the next and saw the resolutions immediately.
Returning to my initial train of thought, with the Prisoner, even decades later, just reading about how it ended spurs numerous ideas for potential stories. I wonder how much of the best sci-fi stories leave things open. One of the most memorable movies of my life I experienced as child whilst on a sleepover. It was a cheesy black and white space film about astronauts that go to Mars, a creature crawls aboard, and subsequently picks the crew off one by one. Standard horror trope. Here's the thing: being made so far back, they didn't really have the funds or ability to make the monster, so they didn't. The most they ever showed, as far as I remember, was a bit of a tentacle. All you ever got to experience were the results of the creature. They didn't even show some of the bodies, just described it. To this day, I remember how terrifying it was, never seeing the creature, or even its victims. It resonates to this day, and I guarantee it's because I had only my imagination and the unknown.
I hate how every time I start to get creative, my job will suddenly get hectic, and leaves me completely bereft of mental energy. I worked a 10 hour day yesterday, and without a meal, even. Today it was only 5 hours, but it was from like 5 to 10, so I get out and it's already late. I had coffee with a guy this morning who has worked in the video game industry for many years now, and who has just moved here with the idea of getting christian game makers together to help make the industry as a whole a better place. After talking with him a bit, he said something that really hit home. He said that my job was killing me, wasn't it. I've said similar before, but having it phrased the way he did really stuck with me. It is. It kills my creativity, my drive, and my general mental well-being. I do so wish I knew where else to work.
Another potential ficlet idea
Oct. 3rd, 2019 02:17 amI had this idea come to me earlier today, and I can't bear to see it go to waste. I was thinking on twists, and realized that a lot of them are like, you find out that you/the hero are really the villain at the end. But what if a villain was basically cursed to constantly aid humanity no matter how hard he tried? I envision a mad scientist who has a deep loathing for humanity and just wants to wipe it all out, but who's every invention somehow ends up making things better, which only further infuriates him. Like, society keeps praising him or his mysterious creations that seem to come out of nowhere and make everything better, and all it does is further loathe them and try even harder. Maybe he creates some super-virus that mutates and ends up killing off cancer, or some giant mechanical monstrosity that happens to show up at the same time as another monster and saves the city. Ooh, or a freeze ray the stabilizes the world climate. I envision a man, maniacally doing his damnedest to exterminate human life, but each one just keeps helping! The fury of an evil man as he continues to improve the lives of all he attempts to kill absolutely amuses me. Maybe one day he even snaps, makes a simple gun and decides to kill someone, only to save someone from assassination, or dislodging something important.
So many potential ideas. I think the hardest part is thinking of things going right. I've found many times that doing things backward is funny, but usually a lot more work and understanding of the subject. The nature of things is to fall apart, degrade, get worse, so thinking of them getting put right can be both more impactful and more difficult.
So many potential ideas. I think the hardest part is thinking of things going right. I've found many times that doing things backward is funny, but usually a lot more work and understanding of the subject. The nature of things is to fall apart, degrade, get worse, so thinking of them getting put right can be both more impactful and more difficult.
Why is it that most of the journals out there that I see are either majority American/British/Aussie, or Russian? You can look at trending words on journal sites, such as this one, and you will only see english and cyrillic. That's it. No kanji, no farsi, no hindi, nothing. Which begs several questions. Do most other countries not journal online? Or are there a lot more country specific ones I don't normally see? I know China has their own version of everything so they can control it, but what about everyone else? I occasionally stumble across japanese sections of the internet in my nerdery, so I know there's definitely more than my little area. But that then begs the other question. Why so many Russians on the english side when they could be on their own? I know Russia basically wants the same control over everything as China, but don't yet have it. Are many people from that whole region (I generalize everything as Russian, but I am aware that many in that part of the world write in cyrillic) doing it as a freedom thing? Is it more sinister? Something completely other?
I do realize that certain cultures, such as mine, are more forward and open with, well, most everything, but that doesn't mean people don't still write and journal. I would love to see the breakdown of stats by culture/country/region and how they go about it. Does this group just never do it, or is it all hidden away? Does that group have way more, but in a place I never see? How much do people in general even do journals anymore? A lot of people basically have video journals anymore. So many questions.
Also, I know that a lot of websites have specific versions for whichever country you are visiting from, ie a bbc.com is going to look different from the bbc.co.uk, which is different from bbc.jp, but now I wonder how much is out there that I'll never see because it's all behind country extensions. Hmm.
I do realize that certain cultures, such as mine, are more forward and open with, well, most everything, but that doesn't mean people don't still write and journal. I would love to see the breakdown of stats by culture/country/region and how they go about it. Does this group just never do it, or is it all hidden away? Does that group have way more, but in a place I never see? How much do people in general even do journals anymore? A lot of people basically have video journals anymore. So many questions.
Also, I know that a lot of websites have specific versions for whichever country you are visiting from, ie a bbc.com is going to look different from the bbc.co.uk, which is different from bbc.jp, but now I wonder how much is out there that I'll never see because it's all behind country extensions. Hmm.
New things to read!
Oct. 1st, 2019 02:19 amAfter a vigorous discussion with a friend last night about stories that are head trips, emotional bombshells, or overall mind screws, I was alerted to the genre known as SCP. And down the rabbit hole I went today, spending hours read the various ones. SCP is basically a sci-fi genre in the vein of a creepypasta meets Warehouse 13/Men in Black, but with way more fatalities and needless expenditure of human life. SCPs are all written like semi-redacted files as one would find in some clandestine organization that finds, captures, studies, uses, and/or kills weird shit. It's all the fun of conspiracy, creepypasta, and documentary all in one. It's like reading the write-ups from survivors of Lovecraftian horrors who see this stuff every day and are a bit blasé about it at this point.
It also makes me want to go back and read some of the better creepypastas, though at the same time, I kind of don't? I enjoy the what-if nature, that inherent quality of all good sci-fi, and many are incredibly well-written, but a person can only handle so much of the dark, depressing, and horrifying. Not terribly healthy to be in that headspace for long.
It also makes me want to go back and read some of the better creepypastas, though at the same time, I kind of don't? I enjoy the what-if nature, that inherent quality of all good sci-fi, and many are incredibly well-written, but a person can only handle so much of the dark, depressing, and horrifying. Not terribly healthy to be in that headspace for long.
Plot twists
Sep. 30th, 2019 01:10 amReading so many writing prompts has my mind going off in so many directions the last few days. It's been a while since I've been so creatively-minded. It's nice. But certain prompts get me thinking of plots I've seen before, and how well some of them were instituted. There have been a few prompts about fate/prophecy, some about subverting it. And all I can think about is how the show Angel turned it and used it.
A demon, centuries before, saw a prophecy written in blood about how the son of a vampire (normally an impossibility) would kill him; so naturally, he went around changing all written references to say that the Father (Angel) would kill the son. So when some major mojo goes down and Angel has a child with Darla, Wesley consults the prophecies, worries that it will happen and, along with some other demon meddling, basically betrays everyone in an attempt to keep the child safe. Not only does one of the greatest enemies of Angel end up with the child, he takes it into a hell dimension with himself, raises it as a warrior, and they eventually come back. Eventually, maybe a season later, we find out the entire backstory, and the child, Conner, does indeed end up killing the demon. But wow, the whole twist of using the prophecy to subvert its own meaning and use the heroes to defeat themselves was mind-blowing, and still one of the best I've seen. Damn, but Joss Whedon is excellent at unexpected and painful twists.
Come to think of it, the Mistborn trilogy by Sanderson has a similar editing of ancient texts to make the heroes work against themselves. But, like Oedipus, it is so often the fleeing from fate that causes it to happen. Of course, it raises the question of how things would play out had people not tried.
A demon, centuries before, saw a prophecy written in blood about how the son of a vampire (normally an impossibility) would kill him; so naturally, he went around changing all written references to say that the Father (Angel) would kill the son. So when some major mojo goes down and Angel has a child with Darla, Wesley consults the prophecies, worries that it will happen and, along with some other demon meddling, basically betrays everyone in an attempt to keep the child safe. Not only does one of the greatest enemies of Angel end up with the child, he takes it into a hell dimension with himself, raises it as a warrior, and they eventually come back. Eventually, maybe a season later, we find out the entire backstory, and the child, Conner, does indeed end up killing the demon. But wow, the whole twist of using the prophecy to subvert its own meaning and use the heroes to defeat themselves was mind-blowing, and still one of the best I've seen. Damn, but Joss Whedon is excellent at unexpected and painful twists.
Come to think of it, the Mistborn trilogy by Sanderson has a similar editing of ancient texts to make the heroes work against themselves. But, like Oedipus, it is so often the fleeing from fate that causes it to happen. Of course, it raises the question of how things would play out had people not tried.
“Alright, we’ve transited. Let’s get to surveying, shall we?”
“Uh, sir, we’re getting some unusual readings here.”
“Define unusual.”
“...music?”
It was impossible; literally impossible, at least according to every known law of physics. Yet probe after increasingly powerful probe revealed not only were every planet and sun in the system giving off radio waves, but were, in fact, producing music. Not just any music, either. The entire system was resonating in a coordinated orchestral piece. Worse, it was familiar.
“Of course I know it, Johnson! Everyone knows it! What I want to know is why every single bloody body in this system is acting like they’re an orchestra! Why is the sun acting like a bloody percussionist? Why is that moon there giving off wavelengths of a woodwind instrument? How in the hell does a celestial body even emit that?!"
"Sir, there is zero precedent for this. I don't even want to know how many physical laws this breaks. Even the black hole in the center is...I guess, pulsing? I think it's keeping time?"
"Johnson, we are on the other side of bloody universe! And we've stumbled upon a system that is, collectively, producing the entirety of the William Tell Overture in a continual loop! What the hell do you suggest the message back to the top brass ?"
"Send musicians?"
"Funny."
"I certainly thought so, sir."
“Uh, sir, we’re getting some unusual readings here.”
“Define unusual.”
“...music?”
It was impossible; literally impossible, at least according to every known law of physics. Yet probe after increasingly powerful probe revealed not only were every planet and sun in the system giving off radio waves, but were, in fact, producing music. Not just any music, either. The entire system was resonating in a coordinated orchestral piece. Worse, it was familiar.
“Of course I know it, Johnson! Everyone knows it! What I want to know is why every single bloody body in this system is acting like they’re an orchestra! Why is the sun acting like a bloody percussionist? Why is that moon there giving off wavelengths of a woodwind instrument? How in the hell does a celestial body even emit that?!"
"Sir, there is zero precedent for this. I don't even want to know how many physical laws this breaks. Even the black hole in the center is...I guess, pulsing? I think it's keeping time?"
"Johnson, we are on the other side of bloody universe! And we've stumbled upon a system that is, collectively, producing the entirety of the William Tell Overture in a continual loop! What the hell do you suggest the message back to the top brass ?"
"Send musicians?"
"Funny."
"I certainly thought so, sir."
There are too many stories. Mainly I am referring to movies and tv. I read recently someone briefly expound on how our culture as a whole is fragmenting itself due to the glut of shared experiences. Thinking on it, I have to agree. We have certain memes and movies such that a large portion of society can share them, but how many shows/movies/games are there now compared to even a few decades ago? Throughout history, you would still have your share of in-jokes and memes, but there's never been a time of so many all at once, compounding, as we have more and more that are available to view at will. No more is there the shared moments of many millions watching a show or event because they'll only ever see it once. Well, mostly.
There are certainly shows more common of which most people are aware, like the Office or Friends, but fandoms continue to fragment. Some kids watch this streamer, or that. Some watch these shows or that, and all have complete control over what they watch and when. Gone (mostly) is the forced time slot that everyone has to watch at the same time. More, little remains of the boredom of waiting for another show to come on and watching something else in the meantime, potentially finding something new, or at least sharing an experience that others might have.
How many books, outside of Harry Potter and Shades of Grey, do people have in common as having read? Twilight and Percy Jackson maybe, but that's still a pretty low number.
This is not to say that there aren't many amazing stories. It is instead that there are too many for there to be universal, shared experiences to bring people together. Hmm.
There are certainly shows more common of which most people are aware, like the Office or Friends, but fandoms continue to fragment. Some kids watch this streamer, or that. Some watch these shows or that, and all have complete control over what they watch and when. Gone (mostly) is the forced time slot that everyone has to watch at the same time. More, little remains of the boredom of waiting for another show to come on and watching something else in the meantime, potentially finding something new, or at least sharing an experience that others might have.
How many books, outside of Harry Potter and Shades of Grey, do people have in common as having read? Twilight and Percy Jackson maybe, but that's still a pretty low number.
This is not to say that there aren't many amazing stories. It is instead that there are too many for there to be universal, shared experiences to bring people together. Hmm.
Further writing thoughts and prompts
Sep. 29th, 2019 04:38 pmI started reading writing prompts off of reddit yesterday and I must say, there are some really great ideas for writing. Some of them have definitely sparked a few ideas in me, though others have more made me want to read that story as done by someone else. Like, what are all the places other people can take this thing?
There was a particularly cool one I read today about everyone on earth simultaneously hearing a voice announce that the server was being shut down for good in 2 hours and thanks everyone for playing Human. There were a few cool stories written from it, but it didn't quite cover my own ideas for it, so it could be something I could write about. However, it has since occurred to me that the whole scenario is reminiscent of the Roy game on Rick and Morty. It's a bit tricky to top anything they've done on the show.
I think some of the most intriguing prompts have been about different ways in which humanity would be considered bizarre to the rest of the universe. There was one about what if music were considered dangerous to the rest of the universe and humanity's ability to have, make, and enjoy so much of it made us tremendously scary/dangerous. Them trying to deal with us without letting on our power imbalance makes for further potentials as well. Of course, then I start thinking of bits from Restaurant at the End of the Universe, and potential plots take a very different turn. I love that idea that I've seen puttering about the net, the headcannon where we are akin to space orcs, or that like in the Star Trek type future, we are powerful because we are so very crazy. Like, the reason why we're the only ones to defeat the borg is due to our unpredictability. That terran problems with tech going awry, such as with the holodeck, is because we just have to try things because it's there. Of course, now I just want to go back and reread all those posts on the matter. Basically, the human race is one big Rick and Morty, and the rest of the universe don't know how to deal.
The most amusing part of all this is that I keep writing about writing, rather than simply writing. But hey, it's a start and better than nothing.
There was a particularly cool one I read today about everyone on earth simultaneously hearing a voice announce that the server was being shut down for good in 2 hours and thanks everyone for playing Human. There were a few cool stories written from it, but it didn't quite cover my own ideas for it, so it could be something I could write about. However, it has since occurred to me that the whole scenario is reminiscent of the Roy game on Rick and Morty. It's a bit tricky to top anything they've done on the show.
I think some of the most intriguing prompts have been about different ways in which humanity would be considered bizarre to the rest of the universe. There was one about what if music were considered dangerous to the rest of the universe and humanity's ability to have, make, and enjoy so much of it made us tremendously scary/dangerous. Them trying to deal with us without letting on our power imbalance makes for further potentials as well. Of course, then I start thinking of bits from Restaurant at the End of the Universe, and potential plots take a very different turn. I love that idea that I've seen puttering about the net, the headcannon where we are akin to space orcs, or that like in the Star Trek type future, we are powerful because we are so very crazy. Like, the reason why we're the only ones to defeat the borg is due to our unpredictability. That terran problems with tech going awry, such as with the holodeck, is because we just have to try things because it's there. Of course, now I just want to go back and reread all those posts on the matter. Basically, the human race is one big Rick and Morty, and the rest of the universe don't know how to deal.
The most amusing part of all this is that I keep writing about writing, rather than simply writing. But hey, it's a start and better than nothing.